p. 14
If one can stomach a good dose of simplification, though, there can be seen one deep feature shared by all the cutting-edge fiction that resonates with the post-Hiroshima revolution. That is its fall into time, a loss of innocence about the language that is its breath and bread. Its unblinking recognition of the fact that the relations between literary artist, literary language, and literary artifact are vastly more complex and powerful than has been realized hitherto. And the insight that is courage’s reward—that it is precisely in those tangled relations that a forward-looking, fertile literary value may well reside.
("Futuristic Fiction and the Conspicuously Young" dans Review of Contemporary Fiction, 1988 - theknowe.net)
dimanche 7 février 2010
WALLACE, David Foster
Libellés :
antiréalisme,
écriture,
langage,
mouvement,
postmodernisme,
réalisme,
THÉORIE,
USA
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