p. 80
I didn't think about the vending machines as I passed them, but I acknowledge their presence in some grateful part of my consciousness, a part equivalent in function to the person in movie credits charged with "continuity", who makes sure that if an actor is wearing a Band-Aid and sitting in front of three pancakes on one day of shooting, the pnacakes and the Band-Aid look exactly the same the next day.
The Mezzanine, 1988.
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